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Landscape designers draw upon design elements such as axis, line, landform, horizontal and vertical planes, texture, and scale to create aesthetic variation within the landscape. They may additionally make use of aesthetic elements such as pools or fountains of water, plants, seasonal variance, stonework, fragrance, exterior lighting, statues ...
The practical, aesthetic, horticultural, and environmental sustainability are also components of landscape design, which is often divided into hardscape design and softscape design. Landscape designers often collaborate with related disciplines such as architecture, civil engineering, surveying, landscape contracting, and artisan specialties ...
While many landscape paintings in China uses only ink or uses color for aesthetic purposes, some Shan shui are painted and designed in accordance with Chinese elemental theory with five elements or phases representing various parts of the natural world, and thus has specific directions for colorations that should be used in 'directions' of the ...
The decorative arts are arts or crafts whose aim is the design and manufacture of objects that are both beautiful and functional. This includes most of the objects for the interiors of buildings, as well as interior design , but typically excludes architecture .
The idea of beautiful: this applied to tamed and cultivated European gardens and landscapes [1] The idea of the sublime: this explained the threatening and terrifying side of nature such as mountains and wilderness; however, when it is viewed through the disinterestedness perspective, it can be aesthetically appreciated rather than feared or ...
Landscape with scene from the Odyssey, Rome, c. 60–40 BCE. Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape ...
In the early 1960s, he built on the legacy of synthetic cubism by denying realistic representation and consistently summarizing masses. Two drawings from this period anticipate later organic sculptures with wire construction. In 1964, he created a series of decals and the following year a series of washed-out drawings of landscapes. [72]
Robert Morris, Observatorium, Netherlands. The growth of environmental art as a "movement" began in the late 1960s and early 1970s. In its early phases it was most associated with sculpture—especially Site-specific art, Land art and Arte povera—having arisen out of mounting criticism of traditional sculptural forms and practices that were increasingly seen as outmoded and potentially out ...