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A free-bass system is a system of left-hand bass buttons on an accordion, arranged to give the performer greater ability to play melodies with the left-hand and form one's own chords. The left-hand buttonboard consists of single-note buttons with a range of three octaves or more, in contrast to the standard Stradella bass system, which offers a ...
Music sequencer. A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control, and possibly audio and automation data for digital audio workstations (DAWs) and ...
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Chromatic fourth: lament bass bassline in Dm (D-C ♯ -C (♮)-B-B ♭ -A) ⓘ. In music, the lament bass is a ground bass, built from a descending perfect fourth from tonic to dominant, with each step harmonized. [ 1 ] The diatonic version is the upper tetrachord from the natural minor scale, [ 2 ] known as the Phrygian tetrachord, while the ...
Equivalent patterns in 4 4 and 3 4 [1] Play 4 4 ⓘ and Play 3 4 ⓘ Alberti bass patterns on V 7 Alberti bass in the opening of Thomas Attwood's (1765–1838) Sonatina in G Major [2] Play ⓘ Alberti bass in the opening of Muzio Clementi's Sonatina in G, Op. 36, No. 2 (1797) [3] Play ⓘ The opening of the 5th of Beethoven's Seven Variations on "God Save the King" WoO 78 (1804) introduces ...
Realization (figured bass) Philip Mercier (1689-1760), A Music Party. A viol player looks past the harpsichordist's shoulder to see the figured bass line. 18th century amateurs routinely realized accompaniments from figured bass. Realization is the art of creating music, typically an accompaniment, from a figured bass, whether by improvisation ...
The earliest keyboard bass instrument was the 1960 Fender Rhodes piano bass, pictured to the right. The piano bass was essentially an electric piano containing the same pitch range as the most widely-used notes on an electric bass (or the double bass), which could be used to perform bass lines. It could be placed on top of a piano or organ, or ...