Search results
Results from the WOW.Com Content Network
Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
The ukiyo-e series he produced include the following: Eight Views of Edo (several series) Eight Views of Ōmi (several series) Newly Published Perspective Pieces (Shinpan uki-e) Twelve Months by Two Artists, Toyokuni and Toyohiro (Toyokuni Toyohiro ryōga jūnikō), with Toyokuni; Untitled series of A Day in the Life of a Geisha
Uki-e (浮絵, "floating picture", implying "perspective picture") refers to a genre of ukiyo-e pictures that employs western conventions of linear perspective. Although they never constituted more than a minor genre, pictures in perspective were drawn and printed by Japanese artists from their introduction in the late 1730s through to the mid ...
The Hōeidō edition of the Tōkaidō is Hiroshige's best known work, and the best sold ever ukiyo-e Japanese prints. [2] Coming just after Hokusai's Thirty-six Views of Mount Fuji series, it established this new major theme of ukiyo-e, the landscape print, or fūkei-ga, with a special focus on "famous views".
Among his students were the famous ukiyo-e artists Shunchō, Shun'ei, and Hokusai. Most of Shunshō's actor prints are in the hoso-e (33 × 15 centimetres (13.0 × 5.9 in)) format common at the time, but he created a great number of works in triptych or pentaptych sets. However, what truly set his work apart from that of earlier artists was the ...
In fact, in ukiyo-e bijin-ga, it was not considered important that the picture resemble the facial features of the model, and the depiction of women in ukiyo-e bijin-ga is stylized rather than an attempt to create a realistic image; [4] For example, throughout the Edo period (1603–1867), married women had a custom of shaving their eyebrows ...
He alone, of his contemporary ukiyo-e artists, achieved a national reputation during his lifetime. His sensuous beauties generally are considered the finest and most evocative bijinga in all of ukiyo-e. [37] He succeeded in capturing the subtle aspects of personality and the transient moods of women of all classes, ages, and circumstances.
Nowadays, Kunisada is again well-regarded as one of the main masters of the ukiyo-e art: Kunisada became a leading artist of the ukiyo-e school at an early age thanks to his amazing skill in capturing the likeliness of kabuki actors, creating must-have souvenirs for their legions of fans.