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Many theatre writers have cautiously identified The Black Crook as the first popular piece that conforms to the modern notion of a musical. [1] The book is by Charles M. Barras. The music, selected and arranged by Thomas Baker, consists mostly of adaptations, but it included some new songs composed for the piece, notably "You Naughty, Naughty Men".
In Dahomey: A Negro Musical Comedy is a landmark 1903 American musical comedy described by theatre historian Gerald Bordman as "the first full-length musical written and played by blacks to be performed at a major Broadway house." [2] It features music by Will Marion Cook, book by Jesse A. Shipp, and lyrics by poet Paul Laurence Dunbar. [3]
Shuffle Along is a musical composed by Eubie Blake, with lyrics by Noble Sissle and a book written by the comedy duo Flournoy Miller and Aubrey Lyles. [1] [2] [3] One of the most notable all-Black hit Broadway shows, it was a landmark in African-American musical theater, credited with inspiring the Harlem Renaissance of the 1920s and '30s.
As with the previous instalments, Danny Elfman composed the score for Men in Black 3. Elfman utilized the musical ideas from the predecessors and used predominantly orchestral elements in the score, which was being transitioned to electronic and rock music along with the choir elements being provided in the finale. [1]
George Gershwin's Porgy and Bess (1935) – starring Will Marion Cook's wife Abbie Mitchell among many others – is the most famous black musical of the 1930s. It is called a black musical because of the African American cast, even though neither the music or plot is of the “Negro inspiration” like the creators proclaim. "Porgy and Bess ...
Memphis is a musical with music by David Bryan, lyrics by Bryan and Joe DiPietro, and a book by DiPietro.. The show is loosely based on the story of Memphis disc jockey Dewey Phillips, [1] one of the first white DJs to play black music in the 1950s.
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The Black Crook was a long-running musical on Broadway in 1866. [1]Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance.. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated who