Search results
Results from the WOW.Com Content Network
Alexander Ewing composed the tune for the Aberdeen Harmonic Choir for use with "For Thee, O Dear, Dear Country", another hymn derived from Neale's translation of De Contemptu Mundi. [6] The score first appeared in 1853 as a leaflet. In 1857 it was included in A Manual of Psalm and Hymn Tunes and it was published in 1861 in Hymns Ancient and Modern.
The editors of Hymns Ancient and Modern altered Campbell's text in various places, replaced the final stanza with a doxology, and added "Alleluia! Amen" to the hymn's end. [6] Other translations of the hymn by J. M. Neale, R. F. Littledale, R. S. Singleton and others were also in common use at the end of the 19th century. [2]
Like many hymns, too, this one is a tissue of Biblical quotations, including "Alpha and Omega" (st. 2) as an epithet of Christ, from Revelation 21:6; the casting of crowns before God's throne (st. 4), from Revelation 4:10; the promise that Christians shall be "changed from glory into glory" (st. 2 and 4), from 2 Corinthians 3:18; as well as ...
Hymns for Living, General Assembly of Unitarian and Free Christian Churches (1985) Hymns of Faith and Freedom, Unitarian Christian Association (1991) Singing the Living Tradition, The Unitarian Universalist Association (1993) ISBN 1-55896-260-3. The YRUU Song Book, The Unitarian Universalist Association Youth Office (1997) [645]
"Revelation Song" is a song written by Jennie Lee Riddle with lyrics adapted from Revelation 4 of the New Testament.The song first gained exposure on U.S. Christian radio through a Christ for the Nations Institute recording, "Glorious" in 2004, as well as on Gateway Worship's debut album, Living for You in 2006, and subsequently included on Kari Jobe's self-titled album.
Lord God Almighty!) references Isaiah 6:3 and Revelation 4:8 [3] and mirrors the opening line of the Sanctus (Holy, Holy, Holy, Lord God of hosts). Described as a "reverent and faithful paraphrase of Revelation 4:8–11" and of the Johannine vision of unending worship in Heaven, it is an example of Heber's dutiful attempt to avoid excessive ...
He comes with clouds descending" is a Christian hymn by Charles Wesley (1707–1788), based on an earlier hymn, "Lo! He cometh, countless Trumpets" by John Cennick (1718–1755). Most commonly sung at Advent, the hymn derives its theological content from the Book of Revelation relating imagery of the Day of Judgment.
The New Century Hymnal is a comprehensive hymnal and worship book published in 1995 for the United Church of Christ.The hymnal contains a wide-variety of traditional Christian hymns and worship songs, many contemporary hymns and songs, and a substantial selection of "world music" selections (hymns and worship songs from non-European-American) origin, a full lectionary-based Psalter, service ...