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Joe Quesada's predecessor as Marvel editor-in-chief, Bob Harras, canceled and restarted all of Marvel's titles that were not either X-Men-related or at fewer than 100 issues already. This was an effort to shore up sagging sales with a new #1 issue for each of Marvel's popular titles, issued at a time shortly after the 1990s bust of the comic ...
This is a list of buildings that are examples of the Art Deco architectural style in Texas, ... Stockyards Movie House, Fort Worth, 1930s; T&P Station, Fort Worth, 1930;
The Fort Worth Art Dealers Association’s Spring Gallery Night takes place once again at venues across the county on March 30, with the above venue showing as well as Gallery 440 (440 S. Main St ...
The Modern Art Museum of Fort Worth (widely referred to as The Modern) is an art museum of post-World War II art in Fort Worth, Texas with a collection of international modern and contemporary art. Founded in 1892, The Modern is located in the city's cultural district in a building designed by architect Tadao Ando which opened to the public in ...
The Kimbell Art Museum in Fort Worth, Texas, hosts an art collection as well as traveling art exhibitions, educational programs and an extensive research library.Its initial artwork came from the private collection of Kay and Velma Kimbell, who also provided funds for a new building to house it.
“Yellowstone” actor Buck Taylor is selling original painting’s and prints at the Fort Worth Stock Show & Rodeo. The 84-year-old actor, who plays “Emmett Walsh” on the hit Paramount ...
The records show that Mrs. Burford owned the Stonegate property in 1918. A house and barns were built on the property in 1925. In 1927, 10.24 acres (41,400 m 2) were sold to the T & P Railroad, along the northern edge of the area, by the river. And in 1940 the present day Stonegate property was sold in judgment to Kenneth W. Davis.
The Fort Worth Circle was a progressive art colony in Fort Worth, Texas.The colony was active during the 1940s and much of the 1950s and formed around younger artists, most of them native Texans under-30, who embraced themes not traditionally seen in Texas art up to that time.