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This lets the string be tuned to a higher open pitch than possible for the full-length strings. Because of the short fifth string, the five-string banjo uses a reentrant tuning – the string pitches do not proceed lowest to highest across the fingerboard. Instead, the fourth string is lowest, then third, second, first, and the fifth string is ...
One octave lower than 5-string bluegrass banjo. Banjo, contrabass: 3 strings 3 courses. Standard/common: E 1 A 1 D 2. Alternates: D 1 G 1 C 2; D 1 A 1 D 2; C 1 G 1 C 2; US Essentially in the same range as the bass banjo, but with a much larger resonator. These instruments are very rare, and tuning is not standardized. [6] [7] Banjo (5-string) 5 ...
G, C, E, A (the G string is higher than the C and E, and two half steps below the A string, known as reentrant tuning) 5-string banjo: G, D, G, B, D (another reentrant tuning, with the short 5th string tuned an octave above the 3rd string) cavaquinho: D, G, B, D (standard Brazilian tuning)
The fifth string on the five string banjo, called the thumb string, also called the "drone string", is five frets shorter than the other four and is normally tuned higher than any of the other four, giving a re-entrant tuning such as the bluegrass G 4-D 3-G 3-B 3-D 4. The five string banjo is particularly used in bluegrass music and old-time music.
There are multiple instruments referred to as a bass banjo. The first to enter real production was the five-string cello banjo, tuned one octave below a five-string banjo. This was followed by a four-string cello banjo, tuned CGDA in the same range as a cello or mandocello, and modified upright bass versions tuned EADG. More recently, true bass ...
The high-pitched, thumb or drone string (the chanterelle, the fifth on a modern banjo) is seen on surviving 18th-century four-string banjos, and in banjo illustrations that long pre-date Sweeney's heyday. [5] The fifth string gives the banjo a reentrant tuning, a feature that existed in instruments of the ancient Greeks. [6]
Like in the traditional old-time/folk styles of playing the 5-string banjo, the akonting is tuned in different tunings. Using the kanjanka tuning pattern of 5/1/-7, a common tuning in Casamance is dGF. In Gambia, for another variant the 1st long melody is raised a semitone (half-step) higher to make a natural 7th note, as in cFE.
William Bradford "Bill" Keith (December 20, 1939 – October 23, 2015) was a five-string banjoist who made a significant contribution to the stylistic development of the instrument. In the 1960s he introduced a variation on the popular " Scruggs style " of banjo playing (an integral element of bluegrass music ) which would soon become known as ...
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