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Effective 5 March 2012 the FCC permits CW, USB, and certain digital modes on these frequencies by amateurs on a secondary basis. The FCC Report and Order permits the use of digital modes that comply with emission designator “60H0J2B”, which includes PSK31 as well as any RTTY signal with a bandwidth of less than 60 Hz. The Report and Order ...
The 15-meter band (also called the 21-MHz band or 15 meters) is an amateur radio frequency band spanning the shortwave spectrum from 21 to 21.45 MHz. The band is suitable for amateur long-distance communications, and such use is permitted in nearly all countries.
The 630-meter (or 600-meter) amateur radio band is a frequency band allocated by the International Telecommunication Union (ITU) to amateur radio operators, and it ranges from 472–479 kHz, or equivalently 625.9–635.1 meters wavelength.
2,304.1 MHz Region 2 CW & SSB calling frequency [2]; 2,320.2 MHz Region 1 Narrow-band calling frequency [3]; 2.400–2.485 GHz: Spread Spectrum band for general radio-controlled aircraft recreational use (amateur radio license holders have 2.39–2.45 GHz licensed for their general use in the USA) and using both frequency-hopping spread spectrum and direct-sequence spread spectrum RF ...
The 20-meter or 14-MHz amateur radio band is a portion of the shortwave radio spectrum, comprising frequencies stretching from 14.000 MHz to 14.350 MHz. [1] The 20-meter band is widely considered among the best for long-distance communication ( DXing ), and is one of the most popular—and crowded—during contests . [ 2 ]
The 23 centimeter, 1200 MHz or 1.2 GHz band is a portion of the UHF radio spectrum internationally allocated to amateur radio and amateur satellite use on a secondary basis.
American radio amateurs may use a maximum of one watt of radiated RF power, on any ham frequency authorized for data emissions, to control RC models. [10] Canadian radio amateurs may use any amateur frequency above 30 MHz for the control of RC models. [11] Plus or minus 5 MHz is a common repeater frequency offset in the 70 cm band.
In this system all the low-frequency rumble was in the left channel and all the high-frequency distortion was in the right channel. Over a quarter of a century later, it was decided to tilt the recording head 45 degrees off to the right side so that both the low-frequency rumble and high-frequency distortion were shared equally by both channels ...