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The use of parallel fifths (or fourths) to refer to the sound of traditional Chinese or other kinds of Eastern music was once commonplace in film scores and songs. Since these passages are an obvious oversimplification and parody of the styles that they seek to evoke, this use of parallel fifths declined during the last half of the 20th century.
"Cat Scratch Fever" is a song by American rock musician Ted Nugent from his album of the same name. [4] The song is well known for its signature riff, which is a 3-tone minor-key melody harmonized in parallel fourths.
In music theory, contrapuntal motion is the general movement of two or more melodic lines with respect to each other. [1] In traditional four-part harmony, it is important that lines maintain their independence, an effect which can be achieved by the judicious use of the four types of contrapuntal motion: parallel motion, similar motion, contrary motion, and oblique motion.
The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.
This was later developed into chordal space, incorporating the parallel minor as well. [11] Some sources imply that the circle of fifths was known in antiquity, by Pythagoras. [12] [13] [14] This is a misunderstanding and an anachronism. [15]
At the beginning of the 20th century, fourths played a strong role in contemporary music-styles, but in quite a different way: "Quartal harmony", the harmonic layering of fourths, imbued modern music with structural commonalities, creating parts more widely separated in space and/or time (because the fourth is a wider interval than the third ...
It is a four-note blues scale melody in G minor, [9] harmonised in parallel fourths. The riff, played on a Fender Stratocaster electric guitar by Blackmore, is later joined by hi-hat and distorted organ, then the rest of the drums, then electric bass parts before the start of Ian Gillan 's vocal.
Parallel harmony is frequently used in house music and other electronic music genres. Historically, this resulted from producers sampling chords from soul or jazz and then playing them at different pitches, or using "chord memory" feature from classic polyphonic synthesizers.