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E-flat major was the second-flattest key Mozart used in his music. For him, E-flat major was associated with Freemasonry; "E-flat evoked stateliness and an almost religious character." [4] Edward Elgar wrote his Variation IX "Nimrod" from the Enigma Variations in E-flat major. Its strong, yet vulnerable character has led the piece to become a ...
Alto trombone; Vocal horn (cornet with an upward-facing bell) Duplex horn (Gemelli) pitched in E ♭ Tenor horn (with a forward-facing bell) Tenor ventil horn pitched in E ♭ (an early horn that was one of the first to use valves) Over the shoulder bass horn pitched in E ♭ Solo Horn, an Alto Horn wrapped like a Cornet with forward facing bell
The alto saxophone has a large classical solo repertoire that includes solos with orchestra, piano, and wind symphony. Two important solo compositions are Jacques Ibert's "Concertino da Camera" and Alexander Glazunov's "Concerto in E Flat major". The alto saxophone is found in the standard instrumentation of concert bands and saxophone quartets ...
Note names are also used for specifying the natural scale of a transposing instrument such as a clarinet, trumpet, or saxophone. The note names used are conventional, for example a clarinet is said to be in B ♭, E ♭, or A (the three most common registers), never in A ♯, and D ♯, and B (double-flat), while an alto flute is in G. [2]
Some instruments are constructed in a variety of sizes, with the larger versions having a lower range than the smaller ones. Common examples are clarinets (the high E ♭ clarinet, soprano instruments in C, B ♭ and A, the alto in E ♭, and the bass in B ♭), flutes (the piccolo, transposing at the octave, the standard concert-pitch flute, and the alto flute in G), saxophones (in several ...
Each major and minor key has an associated key signature, showing up to seven flats or seven sharps, that indicates the notes used in its scale. Music was sometimes notated with a key signature that did not match its key in this way—this can be seen in some Baroque pieces, [ 1 ] or transcriptions of traditional modal folk tunes.
The melody is then played by the soloist. The strings provide a lush background texture. Several musical themes follow. The saxophone begins to dominate with passages of scales and interval jumps. The opening part is in G minor while the central section is in Cb major. The saxophone then intertwines the melody with lyrical themes of the strings.
E ♭ is a perfect fourth above B ♭, whereas D ♯ is a major third above B. When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the E ♭ above middle C (or E ♭ 4) is approximately 311.127 Hz. [1] See pitch (music) for a discussion of historical variations in frequency.
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