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Mughal-e-Azam is a family history highlighting the differences between father and son, duty to the public over family, and the trials and tribulations of women, particularly of courtesans. According to Rachel Dwyer, author of the book Filming the Gods: Religion and Indian Cinema, the film highlights religious tolerance between Hindus and Muslims.
Distributor and color conversion company Above and Beyond: 1952: 1992: Turner Entertainment [1] [2] The Absent-Minded Professor: 1961: 1986: The Walt Disney Company [3] (Color Systems Technology) [4] [a] An Ache in Every Stake: 1941: 2004: Columbia Pictures (West Wing Studios) [7] Across the Pacific: 1942: 1987: Turner Entertainment [8] Action ...
The 8th Filmfare Awards were held in Bombay to honor the best films in Hindi cinema in 1961.. K. Asif's magnum opus Mughal-e-Azam led the ceremony with 11 nominations, followed by Chaudhvin Ka Chand with 6 nominations and Parakh with 5 nominations.
In 1960, after twelve years in production, Mughal-e-Azam was released and became a huge hit at packed cinema houses across India. [1] After the release and success of Mughal-e-Azam, Asif planned yet another motion picture called Love and God, his first directorial venture to be made completely in color, and began production.
A hand-colored print of George Méliès' The Impossible Voyage (1904). The first film colorization methods were hand-done by individuals. For example, at least 4% of George Méliès' output, including some prints of A Trip to the Moon from 1902 and other major films such as The Kingdom of the Fairies, The Impossible Voyage, and The Barber of Seville were individually hand-colored by Elisabeth ...
Feroz Abbas Khan is an Indian theatre and film director, playwright and screenwriter, who is most known for directing plays like Mughal-e-Azam, Saalgirah, Tumhari Amrita (1992), Salesman Ramlal and Gandhi Viruddh Gandhi. [1] [2] Khan being felicitated at IFFI
On the same theme, Mughal-e-Azam was released in 1960, which turned out to be one of the biggest box office successes in the history of Indian cinema and a major critical success as well. [1] While Anarkali portrayed the story from Anarkali's perspective, Mughal-e-Azam told the story from the perspective of Mughal emperor Akbar.
Dilip Kumar (born Muhammad Yusuf Khan; 11 December 1922 – 7 July 2021) was an Indian actor who worked in Hindi cinema.Credited with pioneering method acting in cinema, [3] he dominated Hindi cinema from the 1950s throughout the 1960s, being referred to as "Abhinay Samrat" (Hindi for "Emperor of Acting").