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Swan, inspiration for Saint-Saëns' piece Le cygne "Le cygne", pronounced [lə siɲ], or "The Swan", is the 13th and penultimate movement of The Carnival of the Animals by Camille Saint-Saëns. Originally scored for solo cello accompanied by two pianos, it has been arranged and transcribed for many instruments but remains best known as a cello ...
He relented only for the famous cello solo The Swan, which forms the penultimate movement of the work, and which was published in 1887 in an arrangement by the composer for cello and solo piano (the original uses two pianos). Saint-Saëns specified in his will that the work should be published posthumously.
It was written as a cello solo with accompaniment of a piano. This is a slight variation on that arrangement. Since this is a video of a White House performance, I assume it is very high caliber. This file adds significantly to the following articles: Le cygne; Camille Saint-Saëns; The Carnival of the Animals
He composed a piano quartet, a Romance for cello and piano, and two string quartets; the second, his swan song, debuted 24 May 1953, at the Château de la Brède. Roger-Ducasse wrote only one work for organ, entitled Pastorale , a masterpiece that has remained popular with performers in the United States, although it is rarely played in France.
His first CD, in 2003, was The Silver Swan for Black Box was a compilation of pieces for multitracked cellos, all of which he recorded himself using pioneering techniques of layering voices without an electronic click. His next CD, Reminding, featured Soviet music for cello and piano, and was released on Quartz in September 2005. [3]
The Gál discography now includes the four symphonies (Kenneth Woods and the Orchestra of the Swan), the complete piano music (Leon McCawley), the complete string trios (Ensemble Epomeo), concertos and concertinos for violin, cello and piano (soloists Annette-Barbara Vogel, Matthew Sharp and Sarah Beth Briggs with conductor Kenneth Woods and ...
Cello Concerto (conjectural work based in part on a 60-bar fragment found on the back of the rough draft for the last movement of the composer's Sixth Symphony). Concertstück for Flute and Strings , TH 247 Op. posth.
Cello Concerto No. 4 in D major, H. 7b/4 (1750s, spurious, now thought to be the work of Giovanni Battista Costanzi – see Petrucci Music Library) Cello Concerto No. 5 in C major, H. 7b/5 (1899, spurious, now thought to be the work of David Popper) Cello Concerto in G minor, H. 7b/g1 (c. 1773, doubtful, lost) Michael Haydn. Cello Concerto in B ...
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