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It is the largest ancient amphitheatre ever built, and is still the largest standing amphitheatre in the world, despite its age. Construction began under the Emperor Vespasian (r. 69–79 AD) in 72 [1] and was completed in AD 80 under his successor and heir, Titus (r. 79–81). [2] Further modifications were made during the reign of Domitian (r.
The King James Version is one of the versions authorized to be used in the services of the Episcopal Church and other parts of the Anglican Communion, [183] as it is the historical Bible of this church. It was presented to King Charles III at his coronation service. [184] [185] Other Christian denominations have also accepted the King James ...
Construction of the Colosseum started under Vespasian in a low valley surrounded by the Caelian, Esquiline and Palatine hills. The site became available to Nero by the Great Fire of Rome in AD 64 and redeveloped for his personal enjoyment with the construction of a huge artificial lake in the Domus Aurea, and a colossal statue of himself.
These are the books of the King James Version of the Bible along with the names and numbers given them in the Douay Rheims Bible and Latin Vulgate. This list is a complement to the list in Books of the Latin Vulgate. It is an aid to finding cross references between two longstanding standards of biblical literature.
Spoiler alert! We're discussing plot points of 'Gladiator II' (in theaters now), so if you haven't seen it yet, retreat. Pack up your dusty sandals and brutal weapons, folks.
The Arch of Titus, which was built in Rome to commemorate Titus's victory in Judea, depicts a Roman triumph, with soldiers carrying spoils from the Temple, including the temple menorah. According to an inscription on the Colosseum, Emperor Vespasian built the Colosseum with war spoils in 79–possibly from the spoils of the Second Temple. [52]
The Colosseum. During the Roman Republic, most Roman buildings were made of concrete and bricks, but ever since about 100 BC and the Roman Empire, marble and gold were more widely used as decoration themes in the architecture of Rome, especially in temples, palaces, fora and public buildings in general. [1]
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