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A Christmas wreath adorning a home, with the top left hand corner of the front door chalked for Epiphanytide and the wreath hanger bearing a placard of the Angel Gabriel. In Christianity, house blessing is an ancient tradition, that can be found in Roman Catholicism, Orthodox Christianity, and some branches of Protestantism.
The letters C, M, and B stand for the traditional names of the biblical Magi (Caspar, Melchior and Balthazar), or alternatively for the Latin blessing Christus mansionem benedicat ('May Christ bless this house'), [4] or IIIK referring to the three kings (Citation needed). Chalking the door is done most commonly on Epiphany Day itself.
For example, parents might bless their children with holy water before they leave the house for school or play. It is also often taken with prayer in times of distress or temptation . There are two rites for blessing holy water: the Great Blessing of Waters which is held on the Feast of Theophany , and the Lesser Blessing of Waters which is ...
Birkat HaBayit (Hebrew: ברכת הבית, meaning Blessing for the Home) is a Jewish prayer often inscribed on wall plaques or hamsas and featured at the entrance of some Jewish homes. There are various versions of the prayer.
Arnold, to whom she confesses her emotions, gives her his blessing to leave him if she wishes. This calculated ploy, suggested to him by his father, makes her feel so guilty that she almost resolves to end her relationship with Edward, but the latter tells her candidly that he offers her love and not necessarily happiness.
This can contain a blessing or a particularly holy or uplifting message. [36] In the past they placed a stone plaque inscribed with the Ten Commandments above the house door, some examples dating back to the Byzantine (4th–7th century) and Early Muslim (7th–11th century) periods being now shown in the Israel Museum in Jerusalem. [34] [37] [38]
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You Can't Take It with You is a comedic play in three acts by George S. Kaufman and Moss Hart. The original production of the play premiered at the Chestnut Street Opera House in Philadelphia, on November 30, 1936. [1] The production then transferred to Broadway's Booth Theatre on December 14, 1936, where it played for 838 performances.