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A poetic form similar to the Tanaga is the Ambahan. Unlike the Ambahan whose length is indefinite, the Tanaga is a seven-syllable quatrain. Poets test their skills at rhyme, meter and metaphor through the Tanaga because is it rhymed and measured, while it exacts skillful use of words to create a puzzle that demands an answer.
The characteristic of the ambahan of having seven syllables in a single line distinguishes it from other forms of poetry of the Hanunó'o Mangyans. This particular feature has exceptions; the first part of the ambahan may have more than seven syllables although this portion may not be considered as the poem proper and only serves as an ...
A common quality of their poetry is that they tend to be occasional, didactic, and traditional in form. The schooled writers in the region, unlike the local folk poets, do not write in Waray nor Filipino. Most of them write in English although lately there has been a romantic return to their ethnic mother tongue as the medium for their poetry.
Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
There are two types of meters used in Malayalam poetry, also known as Kavita: the classical Sanskrit-based and Tamil-based ones. Sanskrit meters are primarily based on trisyllabic feet. The short sound is called a laghu, a long sound is called a guru. A guru is twice as long as a laghu. A guru is usually represented by a '-–' and a laghu by a
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Thanbauk (Burmese: သံပေါက်, pronounced [θàɰ̃ baʊʔ]) is a Burmese form, consisting of three lines of four syllables each. Traditionally, they are witty and epigrammic . The rhyme is on the fourth syllable of the first line, the third syllable of the second, and on the second syllable of the third.
Pantun is a disjunctive form of poetry which always come in two parts, the first part being the prefatory statement called pembayang or sampiran that has no immediate logical or the narrative connection with the second or closing statement called maksud or isi.