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Iconography found in Christian art; individual works should only be added if their iconography is complex, and covered at some length in the article on them. See also Category:Christian symbols Contents
Occasionally, secular artists treated Christian themes (Bouguereau, Manet) — but only rarely was a Christian artist included in the historical canon (such as Rouault or Stanley Spencer). However many modern artists such as Eric Gill , Marc Chagall , Henri Matisse , Jacob Epstein , Elisabeth Frink and Graham Sutherland have produced well-known ...
Catholics use images, such as the crucifix, the cross, in religious life and pray using depictions of saints. They also venerate images and liturgical objects by kissing, bowing, and making the sign of the cross. They point to the Old Testament patterns of worship followed by the Hebrew people as examples of how certain places and things used ...
Christian images (7 C, 77 F) S. Saints in art (6 C, 1 P) Pages in category "Christian art" The following 48 pages are in this category, out of 48 total.
G Schiller, Iconography of Christian Art, Vol. II,1972 (English trans from German), Lund Humphries, London, figs 471–75, ISBN 0-85331-324-5 Emile Mâle , The Gothic Image: Religious Art in France of the Thirteenth Century, English translation of 3rd ed, 1913, Collins, London (and many other editions), ISBN 978-0064300322
Cornerstone Fellowship is a non-denominational, multi-site Christian church serving the East Bay area of San Francisco, US. In 2020 the church had five physical locations in Livermore, Brentwood, Hayward, in Walnut Creek, and Danville, California. [1]
Examples of computer clip art, from Openclipart. Clip art (also clipart, clip-art) is a type of graphic art. Pieces are pre-made images used to illustrate any medium. Today, clip art is used extensively and comes in many forms, both electronic and printed. However, most clip art today is created, distributed, and used in a digital form.
The prime member, the Cross, had been introduced to Christian art in the 4th century as the crux invicta, a symbol of victory.As a group they have a long tradition in iconography, dating back to the 9th century; the Utrecht Psalter of 830 is an example, though the only one from the Early Middle Ages known to Gertrud Schiller.