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Lillian Feldman Schwartz (July 13, 1927 – October 12, 2024) was an American artist considered a pioneer of computer-mediated art [1] and one of the first artists notable for basing almost her entire oeuvre on computational media.
Harold Cohen (1 May 1928 – 27 April 2016) [1] was a British-born artist who was noted as the creator of AARON, [2] a computer program designed to produce paintings and drawings autonomously, which set it apart from previous programs. [3]
The Pioneer is a 1904 painting by Australian artist Frederick McCubbin. The painting is a triptych ; the three panels tell a story of a free selector and his family making a life in the Australian bush .
Sometimes, the overall size of the portrait is an important consideration. Chuck Close's enormous portraits created for museum display differ greatly from most portraits designed to fit in the home or to travel easily with the client. Frequently, an artist takes into account where the final portrait will hang and the colors and style of the ...
This is possibly because the others were rendered unnecessary with the addition of clip art pictures and animations to the basic Kid Pix program. Added tools include: Background, to select a premade background from a large library. Static Clip Art, a large library of premade static clip art. Animated Clip Art.
Landscape painting is a term that covers the depiction of natural scenery such as mountains, valleys, trees, rivers, lakes, and forests, and especially art where the main subject is a wide view, with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work.
The Pioneer plaques are a pair of gold-anodized aluminum plaques that were placed on board the 1972 Pioneer 10 and 1973 Pioneer 11 spacecraft, featuring a pictorial message, in case either Pioneer 10 or 11 is intercepted by intelligent extraterrestrial life. The plaques show the nude figures of a human male and female along with several symbols ...
The Pioneer Group is a term used by scholars for a number of vase painters working in the potters' quarter of Kerameikos in ancient Athens around the beginning of the 5th century BC, around the time of the emergence of red-figure vase painting, which soon displaced the previously dominant black-figure style.