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The light plot specifies how each lighting instrument should be hung, focused, colored, and connected. Typically the light plot is supplemented by other paperwork such as the channel hookup or instrument schedule. Up until the development of computer aided drafting (CAD) programs, light plots were hand drawn or drafted on special drafting paper ...
Examples of typical paperwork include cue sheets, light plots, instrument schedules, shop orders, and focus charts. Cue sheets communicate the placement of cues that the LD has created for the show, using artistic terminology rather than technical language, and information on exactly when each cue is called so that the stage manager and the ...
The Lighting Archive, online examples of Jean Rosenthal light plots, hookups, shop orders, cue sheets and focus charts Jean Rosenthal professional files, 1954-1970 (bulk 1961-1969) , held by the Billy Rose Theatre Division, New York Public Library for the Performing Arts
The default lighting plot bathes the bridge in white light. What about light pollution? The Gov. Mario M. Cuomo Bridge's lighting scheme for Earth Day is muted, with just the roadway lit.
In consultation with the director, the DSM (deputy stage manager) and the scenic designer, and after observing rehearsals, the LD creates an instrument schedule and a light plot as well as informing the DSM where each LX (lighting) cue is designed to be triggered in the script, which the DSM notes down in their plot book. The schedule is a list ...
In theatrical productions, an instrument schedule is a listing of all the lighting instruments and information about them used in a show. [1]: 223 The instruments are organized by their position on-stage, and is the distinguishing characteristic between an instrument schedule and a channel hookup or similar paperwork. The instrument schedule ...
Worklights provide general lighting backstage or in the house, and are often fluorescent fixtures. Work lights are almost always non-dimmed. House and work lights are usually off during performances but are occasionally included in the lighting design to establish focus or emphasize plot elements.
Lighting designers typically use them with stage lighting instruments to manipulate the shape of the light cast over a space or object—for example, to produce a pattern of leaves on a stage floor. Gobos placed after the optics do not produce a finely focused image, and are more precisely called " flags " or " cucoloris " ("cookies").