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The light plot specifies how each lighting instrument should be hung, focused, colored, and connected. Typically the light plot is supplemented by other paperwork such as the channel hookup or instrument schedule. Up until the development of computer aided drafting (CAD) programs, light plots were hand drawn or drafted on special drafting paper ...
The variety of information included in an instrument schedule generally makes this more "complete" than other generated paperwork, and as such the schedule is often considered the "master" sheet. The master electrician uses the information contained in the instrument schedule along with the light plot to direct the hanging of the instruments.
Plot (script): A lighting event may trigger or advance the action onstage and off. Composition: Lighting may be used to show only the areas of the stage which the designer wants the audience to see, and to "paint a picture". [4] [5] Effect: In pop and rock concerts or DJ shows or raves, colored lights and lasers may be used as a visual effect.
In theatrical productions, the channel hookup is a printout of a lighting database such as Lightwright that organizes all the lighting information for a stage show by the channel number associated with the lighting equipment and limits the information associated with a particular lighting instrument such that a designer or electrician can access needed information rapidly and efficiently.
Worklights provide general lighting backstage or in the house, and are often fluorescent fixtures. Work lights are almost always non-dimmed. House and work lights are usually off during performances but are occasionally included in the lighting design to establish focus or emphasize plot elements.
The Broadway musical A Chorus Line was lit using conventional lighting instruments. Lighting at the 2005 Classical Spectacular Concert. In theatre, a lighting designer (or LD) works with the director, choreographer, set designer, costume designer, and sound designer to create the lighting, atmosphere, and time of day for the production in response to the text while keeping in mind issues of ...
During his time at Yale, McCandless published some of the first books to lay out a method and approach to the art of lighting design. In his book A Method of Lighting the Stage (1932), McCandless details his method of lighting design which is based on the idea of breaking the stage down into uniform acting areas and manipulating light in terms of intensity, color, distribution, and control.
Tharon Myrene Musser (January 8, 1925 – April 19, 2009) [1] was an American lighting designer who worked on more than 150 Broadway productions. She was termed the "Dean of American Lighting Designers" and is considered one of the pioneers in her field. [2] Musser was best known for her work on the musicals A Chorus Line and Dreamgirls.