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In 1995, British electronic music group N-Trance recorded a dance version of "Stayin' Alive", with new lyrics and rapping by Ricardo da Force. This cover was released in September 1995 by All Around the World Productions as the third single from the group's debut album, Electronic Pleasure (1995).
Their next single, a cover of the Bee Gees hit "Stayin' Alive", was not only a massive international hit, but also featured a vocalist who would help define N-Trance's sound in the future, Ricardo da Force, former rapper with The KLF. Upon its release in the UK it debuted at No. 2 and internationally it became one of the biggest UK exports of ...
"Staying Alive" is a song by American record producer DJ Khaled featuring Canadian rapper Drake and American rapper Lil Baby, released on August 5, 2022, as the lead single from the former's thirteenth studio album God Did (2022). The song contains an interpolation of "Stayin' Alive" by the Bee Gees.
Premiering in theaters on Dec. 16, 1977, the disco blockbuster opened by blasting the Bee Gees anthem, "Stayin' Alive," and the combination of the band's music and Travolta's swagger catapulted ...
Music & Media wrote, "The album of this group, based around Kevin O' Toole and Dale Longworth, consists mostly of high-tempo techno, although some tracks have swingbeat, jungle, ragga and hip hop influences.
"Far from Over" is a song by Frank Stallone that appeared in the 1983 film Staying Alive and was also featured in the film's soundtrack. The song was written by Stallone and Vince DiCola. The song was nominated for a Golden Globe Award for Best Original Song. The song was remixed by Jellybean Benitez.
No, it’s not about the video game. “Fortnight,” the first single from Taylor Swift’s “The Tortured Poets Department,” is a duet with Post Malone.. Before we delve into the lyrics, let ...
Musically, "Stay Alive" is a "dramatic" slow-tempo, "sweeping" pop ballad. [1] [2] Produced by Suga, the track's instrumentation features trademark elements of his production style, mixing "subtle guitar pluckings with a suave string section" for the intro, followed by "softly muted percussive elements" as the song's momentum builds, leading into a "slightly more explosive" though still ...