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Paul Gauguin (1848–1903) was a leading 19th-century Post-Impressionist artist, painter, sculptor, printmaker, ceramist and writer.His bold experimentation with color directly influenced modern art in the 20th century while his expression of the inherent meaning of the subjects in his paintings, under the influence of the cloisonnist style, paved the way to Primitivism and the return to the ...
Charcoal study, c. 1891–3, Art Institute of Chicago [28] The inscription below the idol reads "MERAHI METUA NO | TEHAMANA". [1] This means "Teha'amana has many parents", a reference to Teha'amana possessing foster parents as well as her natural parents in accordance with the faʼaʼamu [] Tahitian custom (Gauguin had to negotiate with both sets of parents when arranging the marriage). [29]
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Mahana no atua (English: Day of the God) is an 1894 oil painting by the French Post-Impressionist artist Paul Gauguin which is in the collection of the Art Institute of Chicago. [1] The painting was executed in Paris on Gauguin's return from his first period of living and working in Tahiti and is more imaginative than real. It depicts a central ...
The painting epitomizes the romantic view of Tahitians made famous by Pierre Loti's Le Mariage de Loti. In that novel, Loti described his Tahitian bride's pursuits as extremely simple, "reverie, bathing, above all bathing". [5] The women in the painting bathe naked, removing their pareos, apparently unbothered by the presence of the fisherman ...
Vision after the Sermon (Jacob Wrestling with the Angel) is an oil painting by French artist Paul Gauguin, completed in 1888. It is now in the Scottish National Gallery , Edinburgh . It depicts a scene from the Bible in which Jacob wrestles an angel .
The painting depicts a young, nude woman who is arranging a garment. The scene is set in a bedroom with the woman sitting on an unmade bed against a mauve wall that is decorated with a mandolin and a tapestry. The body of the model is a three-quarter perspective with the head in profile. He depicts her body realistically, without idealisation.
Vincent van Gogh, Paul Gauguin (Man in a Red Beret), 1888, Van Gogh Museum, Amsterdam. Gauguin's Martinique paintings were exhibited at his colour merchant Arsène Poitier's gallery. There they were seen and admired by Vincent van Gogh and his art dealer brother Theo, whose firm Goupil & Cie had dealings with Portier. Theo purchased three of ...
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