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The word taxidermy describes the process of preserving the animal, but the word is also used to describe the end product, which are called taxidermy mounts or referred to simply as "taxidermy". [ 1 ] The word taxidermy is derived from the Ancient Greek words τάξις taxis (order, arrangement) and δέρμα derma (skin). [ 2 ]
As documented in Frederick H. Hitchcock's 19th-century manual entitled Practical Taxidermy, the earliest known taxidermists were the ancient Egyptians and despite the fact that they never removed skins from animals as a whole, it was the Egyptians who developed one of the world's earliest forms of animal preservation through the use of injections, spices, oils, and other embalming tools. [3]
What sets natural history dioramas apart from other categories is the use of taxidermy in addition to the foreground replicas and painted background. The use of taxidermy means that natural history dioramas derive not only from Daguerre's work, but also from that of taxidermists, who were used to preparing specimens for either science or spectacle.
The jackalope is a mythical animal of North American folklore described as a jackrabbit with antelope horns. The word jackalope is a portmanteau of jackrabbit and antelope.Many jackalope taxidermy mounts, including the original, are made with deer antlers.
The conservation of taxidermy is the ongoing maintenance and preservation of zoological specimens that have been mounted or stuffed for display and study. Taxidermy specimens contain a variety of organic materials, such as fur, bone, feathers, skin, and wood, as well as inorganic materials, such as burlap, glass, and foam.
During the Victorian era, taxidermy became closer to what is seen in museums today. There was a transition from using straw, paper, and other materials to create the mountings for the hides to using internal structures with rods and the actual animal skulls. [5] Taxidermy is still used in museums and collections today.
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Rowland Ward felt so strongly that this elephant should be life size that he made a deal with Powell-Cotton: Rowland Ward would do the taxidermy for free if Powell-Cotton would do the necessary remodelling to accommodate the full-size mount. They agreed, and the full-size mount can still be viewed today in the Powell-Cotton Museum at Quex Park.