Search results
Results from the WOW.Com Content Network
"Supercalifragilisticexpialidocious" (/ ˌ s uː p ər ˌ k æ l ɪ ˌ f r æ dʒ ɪ ˌ l ɪ s t ɪ k ˌ ɛ k s p i ˌ æ l ɪ ˈ d oʊ ʃ ə s / ⓘ SOO-pər-KAL-ih ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 14 January 2025. This is a list of onomatopoeias, i.e. words that imitate, resemble, or suggest the source of the sound that they describe. For more information, see the linked articles. Human vocal sounds Achoo, Atishoo, the sound of a sneeze Ahem, a sound made to clear the throat or to draw attention ...
This page was last edited on 27 February 2025, at 16:27 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Onomatopoeia (or rarely echoism) [1] is a type of word, or the process of creating a word, that phonetically imitates, resembles, or suggests the sound that it describes. Common onomatopoeias in English include animal noises such as oink , meow , roar , and chirp .
Because of the nature of onomatopoeia, there are many words which show a similar pronunciation in the languages of the world. The following is a list of some conventional examples: The following is a list of some conventional examples:
An ideophone, also known as a mimetic word or expressive, is any word in a certain word class evoking ideas in sound imitation (onomatopoeia) to express an action, manner, or property. The class of ideophones is the least common syntactic category cross-linguistically; it occurs mostly in African, Australian, and Amerindian languages , and ...
According to Sarvasy, warblish has been overlooked as a topic of study compared to onomatopoeia and non-vocal mimicry of birdsong. More research is needed into the forms warblish takes across cultures, its functions and meanings, conventionality within speech communities, and how it relates to cultural knowledge of avian ecology and behavior.
According to bow-wow theories, the first human languages developed from onomatopoeia, that is, imitations of natural sounds. [3] The term "bow-wow theory" was introduced in English-language literature by the German philologist Max Müller , who was critical of this idea. [ 4 ]