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A section of kumo shibori (spider shibori) dyed with indigo, next to kumo shibori that has not been dyed yet. Shibori (しぼり/絞り, from the verb root shiboru – "to wring, squeeze or press" [1]: 7 ) is a Japanese manual tie-dyeing technique, which produces a number of different patterns on fabric.
Tsujigahana is a variety of kimono created by the technique of shibori. The extravagant patterns were rather more picturesque and it was more eye-catching than other ordinary kinds of kimono. Tsujigahana technique is in a shroud of mystery as it is not clearly known who invented it or why it was called Tsujigahana.
The hand woven cloth is patterned with the Coca-Cola logo, using the labor-intensive e-gasuri (picture kasuri) technique commonly used to pattern Japanese folk weaving. [ 6 ] [ 7 ] Seeking to share her knowledge of Japanese textile techniques and kimono she co-founded Kasuri Dyeworks (1975), a gallery and shop in Berkeley, California.
Batik is a dyeing technique using wax resist.The term is also used to describe patterned textiles created with that technique. Batik is made by drawing or stamping wax on a cloth to prevent colour absorption during the dyeing process.
Ikat is an Indonesian word, which depending on context, can be the nouns: cord, thread, knot, or bundle, [2] also the finished ikat fabric, as well as the verbs "to tie" or "to bind"; the term ikatan is a noun for bond or tie. [3]
Unlike many of the colorful cloth patterns in Mindanao, T'nalak is distinctive in using only three different colors - black, white, and red. [1] Black serves as the background color, and is the dominant color of the cloth, while white is used to create different motifs. Red is typically used to accentuate the patterns. [1]
Description: A training booket prepared for an edit-a-thon. The source odt is available by emailing the author. This booklet fulfills the need of students, who attend the course but need extensive notes to take home.
A pattern is cut from a sheet of stout paper or thin metal with a sharp-pointed knife, the uncut portions representing the part that will be left uncoloured. The sheet is laid on the fabric and colour is brushed through its interstices. The peculiarity of stenciled patterns is that they have to be held together by ties.
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