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"I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression, known as the "rhythm changes", is the foundation for many other popular jazz tunes such as Charlie Parker's and Dizzy Gillespie's bebop standard "Anthropology (Thrivin' on a Riff)".
The composition, in the words of jazz writer, Donald Clarke, is "an object lesson in how to swing at a slow tempo." [3]Gary Giddins expands on the importance of tempo in the performance of "Li'l Darlin '", saying that "in the enduring 'Li'l Darlin ' ', [Hefti] tested the band's temporal mastery with a slow and simple theme that dies if it isn't played at exactly the right tempo.
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The term "chord chart" can also describe a plain ASCII text, digital representation of a lyric sheet where chord symbols are placed above the syllables of the lyrics where the performer should change chords. [6] Continuing with the Amazing Grace example, a "chords over lyrics" version of the chord chart could be represented as follows:
Scott was born in Los Angeles, California, US. [1] He is the son of film and television composer Nathan Scott, who had more than 850 television credits and more than 100 film credits as a composer, orchestrator, and conductor, including music for Dragnet and Lassie.
The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for its ability to blend well with the soprano, alto, and baritone saxophones, with its "husky" yet "bright" tone. The tenor sax has been an important solo instrument in jazz music.
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