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The painting depicts Mary Dickinson Riddle, Cassatt's mother's first cousin, seated at a table set with a tea service. The tea set was a gift to Cassatt's family from Riddle's daughter. The tea service is gilded blue-and-white porcelain from Canton (modern day Guangzhou) in Qing dynasty China; in the 19th century, Canton was renowned for its ...
The art historian Sinéad Furlong-Clancy suggests that Cassatt's painting contains a "sense of compression" as a result of the "heavily furnished setting," including drawing room with a carved marble fireplace, the wallpaper, the floral coach, a gilt-framed mirror, a porcelain vase, and a table with the silver tea set. [5]
Still Life: Tea Set, c. 1781–1783, painting by Jean-Étienne Liotard. Tea caddy is in the back on the left, slop basin − on the right behind the sugar bowl. A Japanese slop basin; slop basins are a common item in tea sets which are used for tea which is no longer fresh and hot enough to drink An English hot water jug and creamer; both items are commonly included in tea sets; the hot water ...
Books and price guides have been published about Hummel figurines. [15] Some of these works supported the secondary market interest of collector speculators; The Official M.I. Hummel Price Guide: Figurines and Plates, 2nd Edition, by Heidi Ann Von Recklinghausen is a current price guide, published in 2013.
Catherine Greenaway (17 March 1846 – 6 November 1901) was an English Victorian artist and writer, known for her children's book illustrations. She received her education in graphic design and art between 1858 and 1871 from the Finsbury School of Art, the South Kensington School of Art, the Heatherley School of Art, and the Slade School of Fine Art.
The CCCC was then the consultant for the BBC Radio 4 drama The Bizarre Girl, written by Lizzie Slater which was described as "an uplifting drama exploring the dramatic rise of Clarice Cliff from the shop floor to Company Art Director – illustrating how a working-class Staffordshire girl brought modern art to the people." The drama was ...
One of the women Surrealists, Oppenheim in this work combines the domesticity of the tea set (part of the traditionally feminine decorative arts) with the eroticism and animality of the fur covering. As in other surrealist works, a visual pun is implied, and the incongruity and impracticability of the combined elements is also highlighted. [9]
The painting depicts four young girls, the daughters of Edward Darley Boit, in their family's Paris apartment. It was painted in 1882 and is now exhibited in the new Art of the Americas Wing of the Museum of Fine Arts in Boston. The painting hangs between the two tall blue-and-white Japanese vases depicted in the work, which were donated by the ...
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