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He demonstrated how to scrap and sand the paint from the wood clapboards. Inside, we take a look at how the old window sashes are being repaired. In the bathroom Paul is finished the installation for the master bathroom tub surround. He introduces us to an alternative to ceramic wall tile and his brother Tom demonstrates the installation.
Then we head off to a small art-tile kiln in nearby Ojai where Jan's Arts-and-Crafts style backsplash, counter and fireplace tiles are being made. General contractor Steve Crawford discusses the aesthetic challenges he faces in giving the exterior an authentic historic look.
By the 1800s, most new fireplaces were made up of two parts, the surround and the insert. The surround consisted of the mantelpiece and side supports, usually in wood, marble or granite. The insert was where the fire burned, and was constructed of cast iron often backed with decorative tiles.
The American Encaustic Tiling Company [1] was founded in New York, New York, in 1875, later establishing a factory in Zanesville, Ohio, in 1892. [2] Their tiles were intended to compete with the English tiles that were selling in the United States for use in fireplaces and other architectural locations.
The primary functions of a fireback are to protect the wall at the back of the fireplace and radiate heat from the fire into the room. The protection was especially important where the wall was constructed of insubstantial material such as daub (a mud and straw mixture coating interwoven wooden wattles), brick or soft stone.
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Fireplace and overmantel at Boston Manor House. Up to the twelfth century, fires were simply made in the middle of a home by a hypocaust, or with braziers, or by fires on the hearth with smoke vented out through the lantern in the roof. [1] As time went on, the placement of fireplaces moved to the wall, incorporating chimneys to vent the smoke ...
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