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The construction of concealed hinges started in 1964, and this essentially led to the entry into the furniture fittings industry. Today, Blum products are exported to more than 120 countries. [1] [7] [2] [5] Julius Blum died in 2006, and the family business continued to be run by his sons, Gerhard Blum and Herbert Blum.
An ornate brass door hinge A barrel hinge. A hinge is a mechanical bearing that connects two solid objects, typically allowing only a limited angle of rotation between them. Two objects connected by an ideal hinge rotate relative to each other about a fixed axis of rotation, with all other translations or rotations prevented; thus a hinge has one degree of freedom.
Numerous devices exist to serve specific purposes related to how a door should (or should not) be used. See: Door chain - A device to secure door opening; Door closer – Mechanical or electromagnetic device to close an open door (in the event of a fire) [3] Door opener - Automatic door opening device activated by motion sensors or pressure pads
Closing your interior doors can help disperse pressure throughout the home and reduce the overall force stacked up against your roof -- basically your first line of defense against Mother Nature.
In 2020, Blum & Poe teamed up with art and design fair Object & Thing and Mendes Wood DM gallery to install works by 34 artists and designers – including Alma Allen, Sonia Gomes and Mark Grotjahn – throughout the glassy home of architect and industrial designer Eliot Noyes in New Canaan, Connecticut. [5] [6]
Blumhouse was originally known as Blum Israel Productions, as Amy Israel had a first-look deal at Miramax when the company was founded. [12] In 2002, Blum and Israel parted ways, and the company became Blumhouse Productions. [13] In 2015, Crypt TV was created by Jack Davis and Eli Roth which is backed by Blum and the company. [14]
The Closing of the American Mind: How Higher Education Has Failed Democracy and Impoverished the Souls of Today's Students is a 1987 book by the philosopher Allan Bloom, in which the author criticizes the openness of relativism, in academia and society in general, as leading paradoxically to the great closing referenced in the book's title.
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