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Grave stelai from Grave Circle A, Mycenae. There were a number of grave stelai or stelae found among the six shaft graves at Grave Circle A in the site of Mycenae. These stelai mark the burial sites of the Mycenaean dead, much like modern headstones. At least 21 stelai have been discovered from Grave Circle A, with 12 having identifiable relief ...
Model of Mycenae. Grave Circle A is located to the right after the main entrance. During the end of the 3rd millennium BC (c. 2200 BC), the indigenous inhabitants of mainland Greece underwent a cultural transformation attributed to climate change, local events and developments (i.e. destruction of the "House of the Tiles"), as well as to continuous contacts with various areas such as western ...
Mycenae (/ maɪˈsiːniː / my-SEE-nee; [2] Mycenaean Greek: 𐀘𐀏𐀙𐀂; Ancient Greek: Μυκῆναι or Μυκήνη, Mykē̂nai or Mykḗnē) is an archaeological site near Mykines in Argolis, north-eastern Peloponnese, Greece. It is located about 120 kilometres (75 miles) south-west of Athens; 11 kilometres (7 miles) north of Argos ...
Grave Circle B, with a diameter of 28 m (92 ft), is situated at a distance of 117 m (384 ft) west of the Lion Gate, the main entrance of Mycenae. [3] The burial structure was enclosed by a circular stone wall, 1.55 m (5 ft) thick and 1.20 m (4 ft) high. [1][4] The Circle hosts a total of 26 graves; 14 of which are shaft graves and the rest ...
The Grave Stele of Hegeso, most likely sculpted by Callimachus, is renowned as one of the finest Attic grave stelae surviving (mostly intact) today. Dated from c. 410 – c. 400 BCE, [1] it is made entirely of Pentelic marble. It stands 1.49m high and 0.92m wide, in the form of a naiskos, with pilasters and a pediment featuring palmette acroteria.
Mycenaean Greece (or the Mycenaean civilization) was the last phase of the Bronze Age in ancient Greece, spanning the period from approximately 1750 to 1050 BC. [1] It represents the first advanced and distinctively Greek civilization in mainland Greece with its palatial states, urban organization, works of art, and writing system.
Schliemann claimed that one of the masks he discovered was the mask of King Agamemnon, and that this was the burial site of the legendary king from Homer's Iliad. [4]The masks were likely direct representations of the deceased, symbolizing a continuation of the dead's identity in death, similar to funerary statues and incisions, immortalizing an idealized depiction of the deceased.
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