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In music, a canon is a contrapuntal (counterpoint-based) ... This rule was usually given verbally, but could also be supplemented by special signs in the score, ...
The canon (without the accompanying gigue) was first published in 1919 by scholar Gustav Beckmann, who included the score in his article on Pachelbel's chamber music. [10] His research was inspired and supported by early music scholar and editor Max Seiffert, who in 1929 published his arrangement of the "Canon and Gigue" in his Organum series. [11]
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
In itself the score with the clues alone is not eye music. But represent the same work "graphically spelled out," however, say with a drawing of the clued score facing a mirror, and the score/drawing becomes eye music. [2] The type of puzzle canon is also a factor. A four-voiced circular canon, when notated as a puzzle canon, may remain an un ...
In music, a prolation canon (also called a mensuration canon or proportional canon) is a type of canon, ... In the original score, only one part is given: a notation ...
The canon is also restricted to the highest voice, ... Scores at the International Music Score Library Project This page was last edited on 13 January ...
In the score, only one voice was written out for each canon, with the mensuration marks (approximately equivalent to a modern time signature) given alongside, so the singers would understand that they are to sing in those proportions, and thus at different speeds; in addition, the intervals between the voices are given in the score by the ...
Leck mich im Arsch" (German for "Lick me in the arse") is a canon in B-flat major composed by Wolfgang Amadeus Mozart, K. 231 (K. 382c), with lyrics in German. It was one of a set of at least six canons probably written in Vienna in 1782. [ 1 ]
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