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Concrete poetry is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance. [1] It is sometimes referred to as visual poetry , a term that has now developed a distinct meaning of its own.
In his "ferro-concrete" (reinforced concrete) poems, Vasily Kamensky replaced grammar and syntax with a spatial arrangement of words that celebrates concrete as a dynamic force in the invention of the modern city. The artists discarded customary book materials and printed Tango on cheap wallpaper as a parody of urban bourgeois taste.
Crystallography is a book of poetry and prose published in 1994 and revised in 2003 by Canadian author Christian Bök. [1] Based around a pataphysical conceit [clarification needed] that language is a crystallization process, the book includes several forms of poetry including concrete poetry, as well as pseudohistorical texts, diagrams, charts, and English gematria.
The Rose That Grew from Concrete (1999) is a collection of poetry written between 1989 and 1991 by Tupac Shakur, published by Pocket Books through its MTV Books imprint. [1] A preface was written by Shakur's mother Afeni Shakur, a foreword by Nikki Giovanni and an introduction by his manager, Leila Steinberg.
Acrostic: a poem in which the first letter of each line spells out a word, name, or phrase when read vertically. Example: “A Boat beneath a Sunny Sky” by Lewis Carroll. Concrete (aka pattern): a written poem or verse whose lines are arranged as a shape/visual image, usually of the topic. Slam; Sound; Spoken-word; Verbless poetry: a poem ...
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Seiichi Niikuni (新国誠一, Niikuni Seiichi, December 7, 1925 – August 23, 1977) was a Japanese poet and painter.He was one of the foremost pioneers of the international avant-garde concrete poetry movement, creating works of calligraphic, visual and aural poetry.