Search results
Results from the WOW.Com Content Network
The estates of Al Jolson and his songwriting team are co-credited for "California", presumably because the title and chorus bear strong resemblances to his own "California, Here I Come". Some websites refer to the Phantom Planet song as a cover of the Jolson tune. Some parts of the song, particularly the piano solos at the beginning and end ...
"California, Here I Come" is a song interpolated in the Broadway musical Bombo, starring Al Jolson.The song was written by Bud DeSylva, Joseph Meyer, and Jolson. [1] Jolson recorded the song on January 17, 1924, with Isham Jones' Orchestra, in Brunswick Records' Chicago studio. [2]
Slack-key guitar (from Hawaiian kī hōʻalu, which means "loosen the [tuning] key") is a fingerstyle genre of guitar music that originated in Hawaii. This style of guitar playing, which has been used for centuries, involves altering the standard tuning on a guitar from E-A-D-G-B-E, so that strumming across the open strings will then sound a ...
"California Here I Come" is a song by American singer-songwriter Sophie B. Hawkins, released in 1992 as the second single from her debut studio album, Tongues and Tails. The song was written by Hawkins and produced by Rick Chertoff and Ralph Schuckett .
The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV: C–G–Am–F; V–vi–IV–I: G–Am–F–C
Retrieved from "https://en.wikipedia.org/w/index.php?title=California_Here_I_Come_(Bill_Evans_album)&oldid=437599139"
"Here We Come" is a song by American producer and rapper Timbaland. It features frequent collaborators Missy Elliott and Magoo and serves as the lead single for Timbaland's solo debut album, Tim's Bio: Life from da Bassment (1998). The song also features background vocals by Playa and Darryl Pearson.
California Here I Come is a live album by jazz pianist Bill Evans. It was recorded in 1967, but not released on the Verve label until 1982 as a double LP. It peaked at number 12 on the Billboard Jazz Album charts in 1983 and was reissued on CD in 2004. [ 4 ]