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Children of Men had two soundtracks for the film, a film score by British composer John Tavener, and a soundtrack with various popular music acts. Soundtrack
Crust considered that the music comments indirectly on the barren world of Children of Men: Deep Purple's version of "Hush" playing from Jasper's car radio becomes a "sly lullaby for a world without babies" while King Crimson's "The Court of the Crimson King" make a similar allusion with their lyrics, "three lullabies in an ancient tongue". [52]
Grumpy Old Men: The Musical is a stage musical with book by Dan Remmes songs composed by Neil Berg and lyrics by Nick Meglin. The music was orchestrated by Larry Hochman with additional orchestrations by Phil Reno. It is based on the 1993 Warner Bros. film Grumpy Old Men by Mark Steven Johnson which starred Jack Lemmon, Walter Matthau and Ann ...
Three years after Baby hit a box-office home run, Selleck, Danson and Guttenberg re-teamed for 1990's Three Men and a Little Lady, which proved to be more of a solid double financially.(Nimoy didn ...
South Pacific is a musical composed by Richard Rodgers, with lyrics by Oscar Hammerstein II and book by Hammerstein and Joshua Logan.The work premiered in 1949 on Broadway and was an immediate hit, running for 1,925 performances.
Treadwell-Collins specifically discussed Parkinson's involvement, adding, "Honestly, she wanted to do the sex scene. She was like, 'I really want to show my boobs. I’m in my mid-40s and they ...
The original cast production of Children of Eden was developed as a Royal Shakespeare Company (RSC) workshop. The production was directed by John Caird, and starred Ken Page as Father, Richard Lloyd-King as the Snake, Martin Smith as Adam, Shezwae Powell as Eve, Adrian Beaumont as Cain, Kevin Colson as Noah, Earlene Bentley as Mama Noah, Frances Ruffelle as Yonah, Anthony Barclay as Japheth ...
Formed out of the male-dominated music scenes of jam music (in the case of Bonnaroo), late-’90s indie rock (Coachella), and early ’90s alternative and grunge (Lollapalooza), these festivals tend to celebrate diversity while dismissing the most popular pop acts — the ones who tend to dominate the charts and who tend so often to be female ...