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A detail of a self-portrait by Rembrandt.Three scratches in the center reveal the reddish ground. In visual arts, the ground (sometimes called a primer) is a prepared surface that covers the support of the picture (e.g., a canvas or a panel) and underlies the actual painting (the colors are overlaid onto the ground).
Diphasiastrum digitatum is known as groundcedar, running cedar or crowsfoot, along with other members of its genus, but the common name fan clubmoss can be used to refer to it specifically. It is the most common species of Diphasiastrum in North America .
However, patches are sometimes applied to strengthen specific areas of a canvas. [8] Strip linings can be added to reinforce the margins of a painting. This practice is important as the margins of a painting are often more damaged than the rest of the canvas. [2] Strip linings strengthen the edges of the canvas so that they can withstand re ...
Canvas comes in two basic types, plain and Duck. The threads in Duck are more tightly woven. In the USA canvas is graded two ways: by weight (ounces per square yard) and by number. The numbers run in reverse of the weight; so, number 10 canvas is lighter than number 4. Cotton did not come into popular use until relatively recent times.
The board foot or board-foot is a unit of measurement for the volume of lumber in the United States and Canada. [1] It equals the volume of a board that is one foot (30.5 cm) in length, one foot in width, and one inch (2.54 cm) in thickness, or exactly 2.359 737 216 liters .
Thuja plicata is a large evergreen coniferous tree in the family Cupressaceae, native to the Pacific Northwest of North America. Its common name is western redcedar in the U.S. [2] or western red cedar in the UK, [3] and it is also called pacific red cedar, giant arborvitae, western arborvitae, just cedar, giant cedar, or shinglewood. [4]
Redcedar bolts are relatively small (1 foot x 1 foot x 1 foot is common) cubes of Western Redcedar which are later processed into redcedar roof shingles. [1] [2]
When I first started doing the stain paintings, I left large areas of canvas unpainted, I think, because the canvas itself acted as forcefully and as positively as paint or line or color. In other words, the very ground was part of the medium, so that instead of thinking of it as background or negative space or an empty spot, that area did not ...
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