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Yoshiyuki Sadamoto (貞本 義行, Sadamoto Yoshiyuki, born January 29, 1962, in Tokuyama (now Shunan), Yamaguchi Prefecture, Japan) is a Japanese character designer, manga artist, and one of the founding members of the Gainax anime studio.
Sadamoto stated this is because Kaworu picks up Rei's emotions, though Sadamoto stated he wrote their relationship as similar to a high school student causing an impression on a younger, middle-school one, not romance, [8] and that Shinji ultimately rejects him. [9] Toji Suzuhara Toji Suzuhara is the Fourth Child. He dislikes Shinji for being ...
The series features each characters designed by Yoshiyuki Sadamoto, [2] and written by Kazunori Itō. [3] The score was composed by Yuki Kajiura, marking her second collaboration with Mashimo. [4] The series is influenced by psychological and sociological subjects, such as anxiety, escapism and interpersonal relationships.
In the Neon Genesis Evangelion manga, written by the series' character designer Yoshiyuki Sadamoto, Kaworu is introduced in advance in a narrative arc roughly corresponding to the nineteenth episode of the series. [86] In the 57th chapter of the comic, he meets Shinji in the ruins of a church during a piano solo. [87]
According to character designer Yoshiyuki Sadamoto, the original story for the series did not feature Lilith, but was included following the premiere of the series and some staff research performed on Christianity; [30] Sadamoto stated that Lilith's inclusion occurred because "not touching [her] seemed to hurt Anno's pride". [31]
While the first manga is a direct adaptation of the anime series, the following ones are spin-off series with several differences. The first manga from the series is entitled simply Neon Genesis Evangelion, written and illustrated by Yoshiyuki Sadamoto, who also worked in the character designs from the anime. The manga closely follows the anime ...
In the official Neon Genesis Evangelion manga, by Yoshiyuki Sadamoto, further differences are evident in the characterization of Rei. In the manga, she is generally more empathetic and open to human contact compared to her animated counterpart. In the comic, moreover, the character has more space than Asuka, who in the anime has a predominant role.
Yoshiyuki Sadamoto's early draft for the character designs of the main characters In 1993, about two years before the series aired, the production studio established a temporary lead on the creation of the characters in a presentation document titled New Century Evangelion (tentative name) Proposal ( 新世紀エヴァンゲリオン (仮 ...