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Charles Rohlfs (February 15, 1853 – June 30, 1936), was an American actor, patternmaker, stove designer and furniture maker. Rohlfs is a representative of the Arts and Crafts Movement , and is most famous for his skill as a furniture designer and maker.
Marlborough-leg armchair (c. 1766), Los Angeles County Museum of Art. Made for Governor John Penn. Marlborough-leg camel-back sofa (c. 1766, mahogany, attributed to Affleck), Cliveden, Germantown, Philadelphia. Believed to be part of the furnishings made for Governor John Penn. [18] [19]
Some models also became icons of design history: the rocking chair no. 1 from 1860, later on in the 19th century the successful models no. 18 and no. 56, around 1900 the elegant no. 209 with its curved armrests, which Le Corbusier adored, and in 1904 the art nouveau armchair 247 by Otto Wagner, the so-called postal savings bank chair, to name ...
The association was founded in 1872 to represent skilled patternmakers in England, [3] following a strike by patternmakers along the River Tyne and River Wear for a nine-hour day. [4]
The book was first published in 1788 by Alice Hepplewhite, the widow of the furniture-maker George Hepplewhite. [1] She is referenced on the title page of the first edition as "A. Hepplewhite and co." The subtitle on the original edition is Repository of Designs for Every Article of Household Furniture, in the Newest and Most Approved Taste ...
Thomas Chippendale (June 1718 – 1779) was an English woodworker in London, designing furniture in the mid-Georgian, English Rococo, and Neoclassical styles. In 1754 he published a book of his designs in a trade catalogue titled The Gentleman and Cabinet Maker's Director—the most important collection of furniture designs published in England to that point which created a mass market for ...
This page was last edited on 29 September 2023, at 02:23 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The opposite pattern was called the counterpart, or 'contrapartie'. By sawing both patterns out of one packet and reassembling them on two trays, the background of the 'première partie' becomes the motif of the 'contrapartie'. Boulle made cabinets with both patterns in a single piece, or pairs of contrasting cabinets. [33]
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