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Guitar and bass tab is used in pop, rock, folk, and country music lead sheets, fake books, and songbooks, and it also appears in instructional books and websites. Tab may be given as the only notation (as with chord tab in songbooks that only include lyrics and chords), or, as with guitar solo transcriptions, tab and standard notation may be ...
The couple oversees Getty Music, a record label and publishing house, as well as an education program for developing hymn writers and worship leaders. In 2020, the Gettys founded the Getty Music Foundation which provides resources to churches and families, especially resources pertaining to theology and congregational singing education. They ...
Carter Family picking, also known as the thumb brush, the Carter lick, the church lick, or the Carter scratch, [2] is a style of fingerstyle guitar named after Maybelle Carter of the Carter Family. It is a distinctive style of rhythm guitar in which the melody is played on the bass strings, usually low E, A, and D while rhythm strumming ...
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Acoustic Guitar Duets (Super Sessions) with Martin Taylor (Jardis, 1985) Good News (Villa, 1986) String Time (Villa, 1988/1990) Serious Jazz (Livia, 1989) Winter Song with Heiner Franz (Jardis, 1990) In a Mellow Tone with Heiner Franz (Jardis, 1992) Louis Stewart Quartet (feat. Michael Moore) (Cecilia, 1992) Joycenotes (Villa, 1993) Overdrive ...
Duet for Guitars #2 was the first album recorded by M. Ward, originally released in 1999.The album has been re-issued in 2000 and on July 10, 2007. Ward states in the liner notes that "Most of these songs were written in Chicago but the others were figured out en route to or in Seattle, but they were all recorded in Portland by Adam Selzer."
"Long Black Train" is a mid-tempo song featuring acoustic guitar, fills from pedabro and fiddle, and a percussive rhythm reminiscent of a steam locomotive in motion. Using a funeral train as a metaphor, [2] the lyrics tell of resisting temptation from the Devil.
The story goes [1] that Allman had a dream where Jimi Hendrix showed him the melody of the tune in a Holiday Inn motel bathroom, using the sink faucet as a guitar fretboard. . Remembering the melody during the October 1971 sessions that produced most of the third side of what would become Eat a Peach, Allman laid down the track, joined only by Dickey Betts and bassist Berry Oakley, though ...
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