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The painting shows a tired, faceless Black woman sitting on the edge of her bed about start her workday. The artist first conceived of the painting while getting ready to catch a bus to work on a cold winter morning. [9] As of 2011, Blue Monday was the most mass-produced and popular painting of the artist. [10]
Allegorical Painting of Two Ladies. Allegorical Painting of Two Ladies, English School is a 17th-century allegorical painting by an unknown artist, and dated from the 1650s. For its period, the painting is considered unusual in its depiction of a black woman and a white woman sitting side by side. [1]
The Bar (painting) A Bar at the Folies-Bergère; The Bathers (Renoir) Bathers with a Turtle; The Bathers (Cézanne) Beatrice Hastings in Front of a Door; The Beauty; Beijing 2008 (painting) The Beloved (Rossetti) Berlin Street Scene; Bertha Wegmann Painting a Portrait; Bharat Mata (painting) The Black Brunswicker; Black Woman with Child
Black Woman with Peonies by Frédéric Bazille (1870) located at the National Gallery of Art, Washington, D.C.. Black Woman with Peonies also known as Négresse aux pivoines, Young Woman with Peonies, or Negress with Peonies, is a pair of paintings created by the French Impressionist painter Frédéric Bazille in the spring of 1870.
Lady Trying on a Hat (or The Black Hat) oil on canvas: 1904: Rhode Island School of Design Museum, Providence, RI: 40.3 in x 32 in (102.4 cm x 81.3 cm) A seated woman holding a black hat slightly above her head. SIRIS Collection Number 47480077 [3] Portrait of a Model-Mary Sullivan: oil pastel on paper: 1904: Corcoran Gallery of Art, Washington, DC
Watch Meeting—Dec. 31st 1862—Waiting for the Hour is an 1863 painting by the US artist William Tolman Carlton. The location of the original painting is not known, but a different version, possibly a study, is displayed in the Lincoln Bedroom at the White House. Watch meetings originated as nighttime religious services of the Methodist Church.
Portrait of Madeleine, also known as Portrait of a Black Woman (French: Portrait d'une femme noire or Portrait d'une negresse), is an oil-on-canvas painting by the French artist Marie-Guillemine Benoist, created in 1800.
Her early studies were made at St. John's Wood Art School, and she later studied at the Slade School of Fine Art. Ill health compelled her to put aside plans for regular study, and she entered the studio of M.W. Ridley's for private instruction, following this with work at the South Kensington Museum .