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Sicut Cervus remains one of Palestrina's most popular and frequently performed works and one of the rare motets that retained its popularity into the modern era. [7] The motet has become the "unofficial anthem" of St. John's College (Annapolis/Santa Fe) , where it is sung every Wednesday by students and faculty and is the part of the first-year ...
Sicut lilium inter spinas (1) Sicut lilium inter spinas* (4) Si ignoras te, o pulchra inter mulieres* (4) Stella quam viderant magi (1) Surgam et circuibo civitatem* (4) Surge amica mea, speciosa mea* (4) Surge Petre (4) Surge, propera amica mea* (4) Surge sancte Dei. Ambula sancte Dei (4) Suscipe verbum virgo Maria. Paries quidem filium (1)
It begins "As pants the hart" in the English metrical version by Tate and Brady (1696) and in Coverdale's translation in the Book of Common Prayer, "Like as the hart". The psalm forms a regular part of Jewish , Catholic , Lutheran , Anglican and other Protestant liturgies and has often been set to music, notably in Palestrina's Sicut cervus ...
Magnificat in Gregorian chant. In Gregorian chant the Magnificat is sung according to the eight traditional psalm tones: Tonus I (first tone): Magnificat primi toni; Tonus II (second tone): Magnificat secundi toni; Tonus III (third tone): Magnificat tertii toni; Tonus IV (fourth tone): Magnificat quarti toni; Tonus V (fifth tone): Magnificat ...
Missa Papae Marcelli, or Pope Marcellus Mass, is a mass sine nomine by Giovanni Pierluigi da Palestrina.It is his best-known mass, [1] [2] and is regarded as an archetypal example of the complex polyphony championed by Palestrina.
Ad fontes is a Latin expression which means "[back] to the sources" (lit. "to the sources"). [1] The phrase epitomizes the renewed study of Greek and Latin classics in Renaissance humanism, [2] subsequently extended to Biblical texts. The idea in both cases was that sound knowledge depends on the earliest and most fundamental sources.
Many of their other songs contain some lines in Latin, have a Latin name and/or are supported by a choir singing in Latin. Rhapsody of Fire – Ira Tenax; Rotting Christ: Sanctus Diavolos: Visions of a Blind Order, Sanctimonius, Sanctus Diavolos; Theogonia: Gaia Telus, Rege Diabolicus; Κατά τον δαίμονα εαυτού: Grandis ...
Cantiones sacrae (literally: Sacred chants), Op. 4, is a collection of forty pieces of vocal sacred music on Latin texts, composed by Heinrich Schütz and first published in 1625. The pieces have individual numbers 53 to 93 in the Schütz-Werke-Verzeichnis (SWV), the catalogue of his works.