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"Live Like You Were Dying" is a song recorded by American country music singer Tim McGraw, and was the lead single from his eighth album of the same name (2004). It was written by the songwriting team of Tim Nichols and Craig Wiseman. The duo crafted the song based on family and friends who learned of illnesses (cancers), and how they often had ...
Live Like You Were Dying is the eighth studio album by American country music artist Tim McGraw. It was released on August 24, 2004, by Curb Records. It was recorded in a mountaintop studio in upstate New York. It entered the Billboard 200 chart at number one, with sales of 766,000 copies in its first week. [9]
Tim Nichols (born in Portsmouth, Virginia) is an American country music singer and songwriter. Active since the late 1980s, Nichols has written for several country music singers including Keith Whitley, Tim McGraw, Faith Hill, Jo Dee Messina, and Alan Jackson.
SUNDAY. Mdou Moctar Gobi 3:30 – 4:10 – Some of the most exciting guitar-based music of this century has come out of West Africa, and Mdou Moctar and his band combine the rhythms and melodies ...
McGraw sang a special rendition of his song 'Live Like You Were Dying' to pay tribute to the late country star.
"Live Like We're Dying" is a song written by Danny O'Donoghue, Andrew Frampton, Mark Sheehan and Steve Kipner. It appeared as a bonus track on the Script's self-titled debut studio album, and as a B-side for some of the album's singles. It is better known for being performed by American recording artist Kris Allen.
If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks. Country music Wikipedia:WikiProject Country music Template:WikiProject Country music Country music: High: This article has been rated as High-importance on the project's importance scale.
Miloš signed an exclusive recording contract to Deutsche Grammophon in 2010. His career began its meteoric rise in 2011 with the release of his debut album Mediterráneo [5] (titled The Guitar for the U.K. market), topping the classical charts around the world and turning him into “classical music’s guitar hero” (the Telegraph). [6]