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The outcome of the various experiments and modifications made to the A1s in the late 1920s was a new Class A3 "Super Pacific", the first example of which was number 2743 Felstead. [1] This locomotive appeared in August 1928 with 220 psi (1.52 MPa) boiler, 19-inch (483 mm) cylinders, increased superheat, long-travel valves, improved lubrication ...
The following movies were filmed using 65mm or 70mm negative stock. Titles are followed by the photographic process(es) employed. Releases produced in Todd-AO, Todd-70, Super Panavision 70 (also known as Panavision 70), Panavision System 65 (also known as Panavision Super 70), Dimension 150, Arri 765 and Superpanorama 70 (also known as MClS 70 and MCS Superpanorama 70) were photographed with ...
Missouri Pacific: 3 890–892 Coach 1948 Texas Eagle (MP train) Northern Pacific: 8 307–313 Sleeper 1954 North Coast Limited: Northern Pacific: 1 314 Sleeper 1957 North Coast Limited: Northern Pacific: 1 549 Coach 1957 North Coast Limited: Northern Pacific: 7 550–556 Coach 1954 North Coast Limited: Spokane, Portland and Seattle: 1 306 ...
For the new Big Domes the Santa Fe and Budd went in a different direction. Like the Super Domes which Pullman had built two years previously for the Chicago, Milwaukee, St. Paul and Pacific Railroad ("Milwaukee Road"), these were "full-length" domes: the dome extended the entire length of the car. The top level featured coach-style seating for ...
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In addition to distributing films for theatrical release, Dimension Films also released numerous titles direct-to-video. In 2008, the company introduced the Dimension Extreme division, a DVD label for "extreme" cinema, which mainly consisted of domestic and international horror titles.
With full brake power by the chase engine, the train comes to a halt some 65 feet (20 metres) from the block at the end of the track, and the family members of the passengers rush out of the station to greet their once-imperiled relatives.
In Britain, 9.5 mm film, projectors and cameras were distributed by Pathéscope Ltd. During the years leading up to the Second World War, and for some years after the war, the gauge was used by enthusiasts who wanted to make home movies and to show commercially made films at home.