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A bridge-tied load (BTL), also known as bridged transformerless and bridged mono, is an output configuration for audio amplifiers, a form of impedance bridging used mainly in professional audio & car applications. [1] The two channels of a stereo amplifier are fed the same monaural audio signal, with one channel's electrical polarity reversed.
Diagram showing a Hafler circuit. The Hafler circuit is a passive electronics circuit with the aim of getting derived surround sound or ambiophony from regular stereo recordings without using costly electronics. Such circuits are generally known as matrix decoders. The Dynaquad system works using similar principles. [1]
Some head units have built-in stereo amplifiers. Other car audio systems use a separate stand-alone amplifier. Every amplifier has a rated power level sometimes noted on the head unit with the built-in amplifier, or on the label of a stand-alone unit. Coaxial speakers: These are the most common type of car speakers and are often factory-installed.
A four channel quadraphonic diagram showing the usual placement of speakers around the listener. Quadraphonic (or quadrophonic, also called quadrasonic or by the neologism quadio [1] [formed by analogy with "stereo"]) sound – equivalent to what is now called 4.0 surround sound – uses four audio channels in which speakers are positioned at the four corners of a listening space.
A professional audio store is a retail establishment that sells, and in many cases rents, expensive, high-end sound recording equipment (microphones, [3] audio mixers, digital audio recorders, speakers and surround sound speakers, [4] monitor speakers) and sound reinforcement system gear (e.g., speaker enclosure cabinets, stage monitor speakers, power amplifiers, subwoofer cabinets) and ...
Sound reinforcement in a large format system typically involves a signal path that starts with the signal inputs, which may be instrument pickups (on an electric guitar or electric bass) or a microphone that a vocalist is singing into or a microphone placed in front of an instrument or guitar amplifier.
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Satisfactory output of the complete system comprising the audio crossover and the loudspeaker drivers in their enclosure(s) is the design goal. Such a goal is often achieved using non-ideal, asymmetric crossover filter characteristics. [5] Many different crossover types are used in audio, but they generally belong to one of the following classes.
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