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"The Windmills of Your Mind" was recorded by José Feliciano for his 1969 album 10 to 23, [9] and Feliciano performed the song on the Academy Awards ceremony broadcast of 14 April 1969. The song's original singer, Noel Harrison, would later opine of Feliciano's performance: "A wonderful musician and compelling singer, he made much too free with ...
Feliciano/10to23 is a 1969 album by Puerto Rican guitarist José Feliciano. Many of the tracks are acoustic cover versions of songs popularized by other artists, including Bee Gees , Cole Porter and The Beatles with some instrumentals played with classical guitar with jazz influenced.
Alive Alive-o! is an album by Puerto Rican guitarist José Feliciano, released in 1969. [4] Released at the apex of Feliciano's career, the album reached No. 29 on the Billboard albums chart. [5] It was one of the few double albums of that time to get "Gold" certification in the United States. The album reached no. 19 in Canada, no. 1 in the ...
A movie that centres on people attending an artistic/sexual salon was a likely contender to feature unsimulated sex and Shortbus does, but director John Cameron Mitchell had a reason for including it.
Year Album Chart positions US [2]AUS [6]CAN NL [7]UK [8]1969 Alive Alive-O! 29 3 19 [14]: 1 23 1973 José Feliciano in Concert with the London Symphony Orchestra — — — —
On the day after the broadcast, the live ABC television audience was estimated at 60 million in the United States. [12] It was the first Oscars to be widely telecast throughout the world – live in the United States, Canada and Mexico, [13] and licensed for delayed broadcast [a] in at least 30 other countries.
Noel John Christopher Harrison (29 January 1934 – 19 October 2013) was an English actor and singer. In the 1950s, he was a member of the British Olympic skiing team. In 1968, Harrison had a top-10 hit in the UK Singles Chart with "The Windmills of Your Mind".
On Windmills of Your Mind, he fed Michel Legrand's jazz-based pop melodies through the Bud Shank jazz grinder, resisting the temptation to convert the film tunes into adult contemporary fare." [ 3 ] A reviewer for The Skeptical Audiophile stated: "If you love hearing INTO a recording, actually being able to 'see' the performers, and feeling as ...
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