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"Walkin' Blues" or "Walking Blues" is a blues standard written and recorded by American Delta blues musician Son House in 1930. Although unissued at the time, it was part of House's repertoire and other musicians, including Robert Johnson and Muddy Waters , adapted the song and recorded their own versions.
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric ...
The electric bass player can play all of the same types of bass lines played by her upright bass cousin. However, due to the design of the electric bass as a guitar -family instrument, it is possible to play rapid bass lines that would be impossible on an upright bass.
As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then something new is played. [14]
"A walking bass line is the most common approach to jazz bass playing. The term 'walking' is used to describe the moving feeling that quarter notes create in the bass part. Just like walking with your feet, the walking bass line is one step after the other that takes you somewhere. This is an important concept to remember, the walking bass line ...
Tab Benoit (born November 17, 1967) [1] is an American blues guitarist, musician, and singer. [2] His playing combines a number of blues styles, primarily Delta blues. He plays a stock 1972 Fender Telecaster Thinline electric guitar and writes his own musical compositions. Benoit graduated from Vandebilt Catholic High School in Houma, Louisiana ...
More than any other jazz bass player in history, Page is credited with developing and popularizing the "walking bass" style of playing on all four beats, a transition from the older, two-beat style. [21] "He started that 'strolling' or 'walking' bass", recalls Harry "Sweets" Edison, "going way up and then coming right on down.
It has been observed by Branford Marsalis that Braud was the first to utilize the walking bass style, that has been a mainstay in modern jazz, as opposed to the 'two-beat' pattern the tuba plays in the New Orleans style. His vigorous melodic bass playing, alternately plucking, slapping, and bowing, was an important feature of the early ...
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