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Video game music (VGM) is the soundtrack that accompanies video games. Early video game music was once limited to sounds of early sound chips, such as programmable sound generators (PSG) or FM synthesis chips. These limitations have led to the style of music known as chiptune, which became the sound of the first video games.
The award was introduced to recognize the impact of music specifically written for video games and other interactive media. This is a sister category to the Grammy Award for Best Score Soundtrack for Visual Media, which previously honored scores written for film, television and video games, though Journey in 2013 was the only game ever nominated.
The Video Game Music Archive, also known as VGMusic.com or VGMA, is a website that archives MIDI sequences of video game music, ranging from tunes of the NES era to modern pieces featured in Xbox Series X/S, Nintendo Switch and PS5 games. Currently, there are over 30,000 MIDI sequences hosted on the site across approximately 47 gaming platforms.
Several tracks serve as background music for the game's item store, the Atomic Shop, with seasonal Halloween and Christmas song variants. Others play during gameplay such as on the game's jukeboxes, gramophones, and specific quests including "Jazz Potatoes" from the Wasted on Nukashine quest and "One More Pils" for a quest based on Fastnacht.
In 1984, Haruomi Hosono released the first generally recognized video game soundtrack album, Video Game Music, [4] [5] and the practice experienced its "golden age" in the mid-to-late 1980s with hundreds of releases including Buckner & Garcia's Pac-Man Fever, Namco's Video Game Graffiti, and Koichi Sugiyama's orchestral covers of the Dragon ...
Adaptive music is music which changes in response to real-time events or user interactions, found most commonly in video games. [1] It may change in volume, arrangement, tempo, and more. Adaptive music is a staple within the role-playing game genre, often being used to change the tone and intensity of music when the player enters and leaves ...
Music manager Jonathan Mayer felt that the game's action music was atypical for video game action music, stating that it is "relatively low-key", and that taking it out of context changes the immediate reaction to it. [7] The game's theme, "The Last of Us", was the first piece of music that the team received, and they were very impressed. [7]
Academic research on video game music began in the late 1990s, [3] and developed through the mid 2000s. Early research on the topic often involved historical studies of game music, or comparative studies of video game music and film music (see, for instance, Zach Whalen's article "Play Along – An Approach to Videogame Music" which includes both). [4]
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