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Mohan Rakesh (8 January 1925 – 3 December 1972) was one of the pioneers of the Nai Kahani ("New Story") literary movement of the Hindi literature in India in the 1950s. He wrote the first modern Hindi play, Ashadh Ka Ek Din (One Day in Aashad) (1958), which won a competition organised by the Sangeet Natak Akademi.
Interfaith greetings (Indonesian: Salam Lintas Agama), sometimes referred as Bhinneka greetings (Indonesian: Salam Kebhinekaan), [1] are often used to open formal meetings in Indonesia. The phrases combine the greeting phrases of several or all major religions in Indonesia.
The Bachitra Natak Granth is a part of the Dasam Granth, but the Dasam Granth is not solely the Bachitra Natak Granth. The confusion arises from the fact that many compositions within the Dasam Granth mention the words "Bachitra Natak Likhyate," [6] but there is more to the Dasam Granth than just the Bachitra Natak.
Vishnu Prabhakar (21 June 1912 – 11 April 2009) was a Hindi writer. He had several short stories, novels, plays and travelogues to his credit. Prabhakar's works have elements of patriotism, nationalism and messages of social upliftment.
Mannu Bhandari (3 April 1931 – 15 November 2021) was an Indian author, screenplay writer, teacher, and playwright. Primarily known for her two Hindi novels, Aap Ka Bunty (Your Bunty) and Mahabhoj (Feast), Bhandari also wrote over 150 short stories, several other novels, screenplays for television and film, and adaptations for theater.
Syed Asghar Wajahat, popularly known as Asghar Wajahat (born 5 July 1946), is a Hindi scholar, fiction writer, novelist, playwright, an independent documentary filmmaker and a television scriptwriter, [1] who is most known for his work, 'Saat Aasmaan' and his acclaimed play, 'Jis Lahore Nai Dekhya, O Jamyai Nai', based on the story of an old Punjabi Hindu woman who gets left behind in Lahore ...
Sekhon was born in Lyallpur, Punjab, British India (present-day Pakistan), and grew up in his father's village in Dakha, near Ludhiana.His father was an idealist but introverted while his mother was more practical and religious, practicing Sikh Singh Sabha.
In addition to this dramatic corpus, Gargi's short stories began to be published in English. A book, Folk Theatre of India, published in New York City and two semi-autobiographical novels in English and Punjabi, The Naked Triangle (Nangi Dhup) and The Purple Moonlight (Kashni Vehra) brought him to the forefront of cosmopolitan attention.