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The Levitin effect is a phenomenon whereby people, even those without musical training, tend to remember songs in the correct key.The finding stands in contrast to the large body of laboratory literature suggesting that such details of perceptual experience are lost during the process of memory encoding, so that people would remember melodies with relative pitch, rather than absolute pitch.
The psychology of music can shed light on non-psychological aspects of musicology and musical practice. For example, it contributes to music theory through investigations of the perception and computational modelling of musical structures such as melody, harmony, tonality, rhythm, meter, and form.
Making each note brief and detached; the opposite of legato. In musical notation, a small dot under or over the head of the note indicates that it is to be articulated as staccato. stanza A verse of a song stem Vertical line that is directly connected to the [note] head stentando or stentato (sten. or stent.)
In music theory, retrograde inversion is a musical term that literally means "backwards and upside down": "The inverse of the series is sounded in reverse order." [ 1 ] Retrograde reverses the order of the motif 's pitches : what was the first pitch becomes the last, and vice versa. [ 2 ]
Found between the songs "The Trooper" and "Still Life", on Piece of Mind. It is an inebriated Nicko McBrain (the drummer ) doing his "famous" impression of Idi Amin . It translates to the following: "'What ho,' said the monster with the three heads, 'don't meddle with things you don't understand.'" [ 45 ] [ 48 ]
Irving Berlin would likewise often write songs in the genre; notable examples include "My Beautiful Rhinestone Girl" from Face the Music (1932), a list song that starts off with a sequence of negative similes, [33] "Outside of That I Love You" from Louisiana Purchase, [34] and "Anything You Can Do (I Can Do Better)" a challenge-duet, and Berlin ...
Musicophilia: Tales of Music and the Brain is a 2007 book by Oliver Sacks. It explores a range of psychological and physiological ailments and their connections to music. It is divided into four parts, each with a distinctive theme: Haunted by Music examines mysterious onsets of musicality and musicophilia (and musicophobia); A Range of Musicality looks at musical oddities musical synesthesia ...
In vocal music, contrafactum (or contrafact, pl. contrafacta) is "the substitution of one text for another without substantial change to the music". [1] The earliest known examples of this procedure (sometimes referred to as ''adaptation'') date back to the 9th century used in connection with Gregorian chant.