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John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music.
The Best of John Coltrane is a 1970 compilation album released by Atlantic Records collecting recordings made by jazz saxophonist John Coltrane.The album was released shortly after his death as a part of the "Atlantic Jazz Anthology"—a series of greatest hits compilations for Atlantic jazz artists—and features performances from his brief period recording for Atlantic with new liner notes ...
The Best of John Coltrane: His Greatest Years, Vol. 2: Impulse! 1972 More Lasting Than Bronze: Prestige 1972 Infinity: Impulse! 1972 Echoes of an Era (Side D only) Roulette 1973 The Art of John Coltrane: The Atlantic Years: Atlantic 1974 The Best of John Coltrane: His Greatest Years, Vol. 3: Impulse! 1974 The Africa/Brass Sessions, Volume 2 ...
The recordings on Coltrane for Lovers initially received criticism for Coltrane's stylistic move from complex jazz compositions of the free jazz form to a simpler formula of ballads and blues. In the years since, they gained a legacy as one of Coltrane's most popular recordings and significant in the romantic jazz mode.
"My One and Only Love" is a 1953 popular song with music written by Guy Wood and lyrics by Robert Mellin. [1] Notable renditions by Frank Sinatra (1953), and later by John Coltrane and Johnny Hartman (1963), have made the song part of the jazz standard musical repertoire.
This commenced a close working relationship between Thiele and Coltrane that would last for the rest of the saxophonist's time at Impulse. Thiele produced virtually every subsequent album. Thiele quickly secured Coltrane's trust by not insisting he record his most popular song, "My Favorite Things", during these shows. [3]
In a review for AllMusic, Steve Huey wrote: "The Major Works of John Coltrane compiles the saxophonist's most important extended free jazz pieces from 1965. This is the material that made Coltrane a giant of the avant-garde, completely casting off the limits of melody, harmony, and tonality that he'd been straining against...
The song is characterized by a sequence that features multiple performers and sounds and includes a fourteen-minute period, starting at 2:40, for which Coltrane is completely absent, and which is dominated by the sounds of Sanders' saxophone and Alice Coltrane's piano, [6] as well as lengthy solos by Coltrane, Sanders, and Alice. [5]
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