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Loudspeaker enclosures range in size from small "bookshelf" speaker cabinets with 4-inch (10 cm) woofers and small tweeters designed for listening to music with a hi-fi system in a private home to huge, heavy subwoofer enclosures with multiple 18-inch (46 cm) or even 21-inch (53 cm) speakers in huge enclosures which are designed for use in ...
Available in 8-inch, 10-inch, 12-inch, and 13.5-inch woofer sizes. TW5: JL's only shallow mount subwoofer and only available in 13.5-inch. The mounting depth is a mere 2.54 inches. This subwoofer features 3-ohm nominal impedance and has an RMS of 600 W. Easily mounts in tight places. [16]
A tiny coffeehouse may only need a single 10-inch subwoofer cabinet to augment the bass provided by the full-range speakers. A small bar may use one or two direct-radiating 15-inch (40 cm) subwoofer cabinets. A large dance club may have a row of four or five twin 18-inch (45 cm) subwoofer cabinets, or more.
Another problem is that the sound radiation from the exit of the line is spread over a quite broad frequency range caused by the hump of the quarter-wave transmission line resonance, whereas the high-Q port resonance of a vented-box loudspeaker rolls off much more quickly and extends over a much narrower frequency band. [12]
Two-inch port tube installed in the top of a Polk S10 speaker cabinet as part of a DIY audio project. This port is flared. Unlike closed-box loudspeakers, which are nearly airtight, a bass reflex system has an opening called a port or vent cut into the cabinet, generally consisting of a pipe or duct (typically circular or rectangular cross section).
The midwoofer-tweeter-midwoofer loudspeaker configuration (called MTM, for short) was a design arrangement from the late 1960s that suffered from serious lobing issues that prevented its popularity until it was perfected by Joseph D'Appolito as a way of correcting the inherent lobe tilting of a typical mid-tweeter (MT) configuration, at the crossover frequency, unless time-aligned. [1]
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