Search results
Results from the WOW.Com Content Network
Vũ Lệ Quyên (born April 2, 1981), known by her stage name Lệ Quyên, is a Vietnamese singer.In 2004, she began her professional singing career with her debut album named Giấc mơ có thật (True Dream).
Paris By Night 92: Nhạc Yêu Cầu (Music Requests) was filmed on May 10, 2008 and May 11, 2008 at Knott's Berry Farm, California.In an attempt to make the programs more diverse, Thúy Nga had encouraged the fans to send in their requests in the format of video clips.
A rock music concert event titled Nối Vòng Tay Lớn ("The Great Circle of Vietnam"); the name of a popular patriotic anti-war song by Trịnh Công Sơn, was officially promoted and held in Hồ Chí Minh City ostensibly as a memorial to Trịnh, and featuring various Vietnamese rock bands and artists, had officially taken place for the ...
The Đại Việt sử ký toàn thư (chữ Hán: 大越史記全書; Vietnamese: [ɗâːjˀ vìət ʂɨ᷉ kǐ twâːn tʰɨ]; Complete Annals of Great Việt) is the official national chronicle of the Đại Việt, that was originally compiled by the royal historian Ngô Sĩ Liên under the order of the Emperor Lê Thánh Tông and was finished in 1479 during the Lê period.
In 1963, an oral tradition of Tày people in Cao Bằng titled Cẩu chủa cheng vùa "Nine Lords Vying for Kingship" was recorded. [1] [7] [8] According to this account, at the end of Hồng Bàng dynasty, there was a kingdom called Nam Cương (lit. "southern border") in modern-day Cao Bằng and Guangxi. [1]
Lê Lợi (Vietnamese: [le lə̂ːjˀ], chữ Hán: 黎利; 10 September 1385 – 5 October 1433), also known by his temple name as Lê Thái Tổ (黎太祖) and by his pre-imperial title Bình Định vương (平定王; "Prince of Pacification"), was a Vietnamese rebel leader who founded the Later Lê dynasty and became the first king [a] of the restored kingdom of Đại Việt after the ...
Phạm Duy (5 October 1921 – 27 January 2013) was one of Vietnam's most prolific songwriters with a musical career that spanned more than seven decades through some of the most turbulent periods of Vietnamese history and with more than one thousand songs to his credit, [1] he is widely considered one of the three most salient and influential figures of modern Vietnamese music, along with ...
Taylor (1983) believed that when Nanyue and Âu Lạc co-existed, Âu Lạc temporarily acknowledged Nanyue to show their mutual anti-Han sentiment, and this did not imply that Nanyue exerted any real authority over Âu Lạc. Nanyue's influence over Âu Lạc waned after it normalized relations with the Han dynasty.